The Stunt Gym!

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Historically, gymnastics has been the hub of community centers.  Of course, what has been called “gymnastics” has changed throughout history.  But going as far back as the Greek Empire, the gymnasium was the academic meeting ground for the philosophers, Socrates, Aristotle and Plato.  They believed in a “sound mind in a sound body” and would debate academic subjects between exercise games.

Modern gymnastics retained its historical roots in the Greek Empire.  Frederick Jahn, called Turnvereinsather of gymnastics” was a German who was dismayed at the weakness of the German citizens during the 19th century.  He drew upon the ancient activities of tumbling,  acrobatics and the pommel horse of the cavalry,  and added the new inventions of his such as the  rings and the high bar.

Jahn set a foundation for the community centers that spread throughout Europe and came to the United States, called the Turnvereins.   Likewise in Sweden a doctor, Per Ling,  who wanted new ways to increase physical therapy adopted and added equipment to gymnastics, such as the parallel bars,  as a way of bringing health and strength to invalids.  His followers took his program and founded the community centers of the Sokols.  In England, George Williams, saw these community centers and decided that Christianity should have the same, so he founded the YMCA which spread around the world, as well.

These organizations spread because gymnastics was the nucleus of physical health, but their founders sought a total health harking back to the time of the Greek Empire.

Modern gymnastics clubs left the community orientation in their pursuit of competitive gymnastics. Before Olga Korbut showed up at the 1972 Olympics in Munich, Germany  gymnastics was still within the community organizations (and NCAA) and there were no clubs to speak of.  After Olga dazzled the world, suddenly millions of little girls wanted to be gymnasts which opened the market for the private club industry.

These competitive clubs had only one goal in mind: train high level athletes to enter the Olympic competition. The reality of running a business with astronomical overhead forced them to expand their horizons by building recreational class programs to glean their future athletes, to run birthday parties, invite field trips into the gym, setting up mobile gymnastics programs, building preschool programs and even subletting their facility for karate, yoga, and other kinds of programs.

In the last Artistic Gymnastics club that I worked for, the owner planned to open up a soccer program within his business.  Likewise other clubs include horse back riding (if they are in the country) or swimming.  Some of these expansions are the result of the many successful gymnastics summer camp businesses that built high level training facilities, brought in famous high level athletes to coach, and added all the amenities of a usual summer camp: dorms for sleeping, rec centers, canteens, canoeing, horseback riding and so many other things depending upon the camp you are talking about.

The modern club industry has been moving towards community centers in a reverse order.  Of necessity they are reaching out to the communities to supplement their Olympic ambitions.  I believe the time has come for the gymnastics industry to take a renewed look at becoming community centers again on purpose, and not because of financial necessity.

The gymnastics industry, for some in the industry not all, has been very selfish in their interest.  I have coached for 30 years and I am an eyewitness to the changes in the industry.  In my opinion, I believe the 1980′s was the most abusive time in the industry.  The focus on training high level athletes was so intense, verbal and physical abuse occurred way too often on the little girls blinded by this dream.  The 1990′s brought some arrest to this behavior, partly because of lawsuits, but also because of a conviction of conscience.  But the focus in the industry still remains the same: Olympic champions.

I am no longer coaching Artistic Gymnastics.  I have my own school that I am building in Stunt Gymnastics.  I do not call it an Acrobatic Gymnastics school, which is the USAG competitive version, but Stunt because I am building a community center around stunts and health.   I may not go back into competition again, since that is not my goal.   I am using the Stunt Gymnastics as a focal point to bring families together.  I am encouraging them in diet and exercise, especially since Americans are far too obese for good health.   And as a Christian, I am  creating a Christ centered community to encourage spiritual and mental health as well.

Please hear my call, all who own gymnastics clubs.   Be intentional in building your business as a community oriented business, not just a athlete training center.  I am not advocating going the route of the Turners, Sokols or the YMCAs which went way beyond gymnastics in becoming Recreation Centers.  Almost every local government has a Rec Center, and their service goes outside the realm of gymnastics.

What I am asking  everyone to consider is to make gymnastics a focal point in training the community to live in good health, to regain the Greek view of a “sound mind in a sound body.”   Fitness, nutrition, and for those of faith, spiritual soundness.   Gymnastics as an industry is anemic and incestuous. It needs to expand its own health as an industry and bring health to the community.

I started my gymnastics career in 1968 as an All Around in Men’s Artistic Gymnastics.  What started as a casual interest in wanting to be a super hero because The Daredevil trained in gymnastics, turned into 4 years of high school training.  I began on the very first of my high school gymnastics team.

What began as a boyish fantasy turned into a wonderful joy as I learned to fly through the air and to enjoy the rhythmic swing of my body on the high bar.  High bar was my greatest joy in high school.  I even competed in one of the first USGF meets in Oakland, CA back in 1971. But when I graduated, I had no thought of continuing in gymnastics. As far as I was concerned that was a high school activity that was now over.

Having not developed any clear purpose for my life after graduation, I accepted an offer from my brother to move to Washington State where I worked as a salmon fisherman outside Bellingham.  After three seasons we both had enough of it.  He moved back to California, and I stayed in Bellingham. I had not realized what an addiction to my body gymnastics had created, so I went to Western Washington State College (now University) and began working out again. There I met Frank Dakin, a former  NCAA floor ex champion who ran the gymnastics program for the YMCA at the college. He gave  me  my first job coaching gymnastics.   As long as I was working out, and was still young I longed to get paid performing gymnastics, not just coaching it.

When I had heard a radio advertisement for the Spherical Miracle Circus Works in Seattle, I called them up. As it turned out the group had disbanded and were regrouping as the Floating World Circus.  I told them I had my own trampoline and asked if I could join their circus.  Greg Albert, the juggler who formed the circus, said, “Come on down.” So I quit coaching and moved to Seattle.

To continue training I audited a class in gymnastics at the University of Washington by Dr. Eric Hughes.  I asked the gymnasts if they would like to perform in the circus with me.  They all declined since they did not want to jeopardize their amateur status.  Only Jay Lavadeur was willing to join me in the circus.  So we created a doubles tramp act and some low key acrobatics.  We performed for the summer of 1977 traveling around the Puget Sound, passing the hat for our living.

In 1978 Greg Thompson sent a request to the U of W gymnastics for gymnasts to perform on stage.  This was a professional show. Dr. Hughes called me into his office and told me about the opportunity.  He also recommended several retired athletes who might be interested in the act.  So we created a vaulting routine, called the “Wacky Illwaco Brothers” and performed nightly for a year.

The dream came into my heart to form an acrobatic theater company at that time.  Later I produced two stage shows in New Jersey for a school I coached at,  Surgent’s Elite School of Gymnastics, before I left for New Orleans to train as an Elite Acrobat in Mixed Pairs.

During that time Kurt Thomas had his show team.  I contacted him, and he turned me down since I was not a former champion, and did not see my vision for gymnastics theater.  He had a show that combined theater with competition that, in my view, did not work.

All throughout my performing career, I had to coach gymnastics to make my living since performing was not full time work for me.  When I finally got too old for performing, Montreal’s Cirque du Solei had built up a reputation that spawned many other companies that now there are many opportunities for gymnasts to work for a living performing gymnastics, which I struggled to do in an era when it was not “gymnastically correct” to do so.

Which brings me to the point of this post. Competition is a wonderful tool.  I have seen gymnasts who only train for shows, both in Group Gymnastics and acrobatics, and the lack of competition scoring shows in sloppier performances.  Competition hones the athlete and brings him or her to polish and refinement. So I applaud the industry for what it has accomplished. But for many clubs, competition is the end, not the means to another end.  Why should parents pay thousands of dollars to train their child in gymnastics for a decade or more, only for them to quit the sport when they go to college?  Of course, for the women, the goal of a college scholarship is still a justification for the expense.  But even that is becoming less available.

I propose to all the gymnastics clubs of the nation to think outside the box.  Most of the coaches only think in terms of competition.  They are not thinking of life after gymnastics.  Oh sure, there have always been “Masters Divisions” of competition, but these meets are for retired athletes who are out of shape and only capable of during their basics.  They are more concerned with making a living and raising their families.

But if you train your athletes as future professional performers while they are competing, you are preparing them for life after competition. Besides, Artistic Gymnastics, is supposed to demonstrate artistry.  Artistry is more than just clever trick combinations that are pretty to behold. True artistry is sharing your heart and soul in a performance.  That is one of the reasons that Olympians in gymnastics need to be 16 and up.  Children are not capable of expressing their hearts in a routine. That requires more maturity. Cathy Rigby, Olga Korbut, and Mary Lou Rettin won the love of the world because they put their heart into their routines.   No one really cares about the big tricks.  Everyone cares about the people. If a gymnast does big tricks while performing their hearts out, then you have a winner that inspires more kids to come into the gyms.  Don’t let competition be the end of training, let it be the means to a better end, where your athletes can make a living performing in their 20′s and early 30′s.  Think outside the box.

This question is on the mind of every gymnastics school in the world.  The industry is based upon the 4 year cycle of the Olympics.  When a favorable games occur with good television coverage of gymnastics, many little girls and some boys get excited and enroll into gyms all over.  That enthusiasm is sustained for about a year, maybe two.  Then the reality of how hard gymnastics sets in and many get discouraged and quit. By the third year a dip occurs and by the fourth year the bottom is touched.   But then the games occur and the cycle starts all over again.

The amount of enthusiasm an Olympiad generates for the sport is dependent upon several factors.  Was there a star?  That is an athlete who was very charismatic that kids want to emulate?  Was there drama?  A close contest, or, as in the case of Kerri Struggs, a demonstration of heroic character when she vaulted again after injurying her ankles.  Was there prime time coverage?  There are now several gymnastics disciplines being contested in the Olympics. Trampoline and Tumbling and Rhythmic Gymnastics  had joined Artistic Men’s and Women’s Gymnastics several years ago.  Yet I have not seen these events broadcast during prime time.  They have not grown (to my knowledge) significantly yet because of being in the Olympics.

So in these games let us consider the questions I have proposed.  Is there a star?  Well Nastia Liukin did win the gold medal in the AA, so that helps.  But she does not have the star quality of charisma.  Mary Lou Rettin had a huge impact on the industry because she is a bubbly delightful person, as well as a gold medalist.  Nadia Comaneci was an incredible athlete that really boosted the sport, but that was at a time when excellence was not as high, and she set a new standard.  She definitely did not have the charisma.  Shawn Johnson does have the charisma which is why I think she also got the media coverage. But she is a silver medalist and in the world of the Olympics, only the gold medalists are remembered.   So I am hopeful that Nastia will have an influence on the business, but I am not greatly encouraged.

Was there drama?  I  think there was some, but I really can not tell because of the third factor.

Was there prime time coverage?  When the first competition began they had it on prime time by tape delay.  Then I read that there was a complaint that people were getting the results off the internet and watching the videos online of the meets.   I think, and I could be wrong, that NBC made the decision to broadcast the meets live, which meant late at night.  I am getting on in years and do not stay up late, so I made the decision to get results online instead the next day.   Children, the bread and butter of the industry, are not allowed by many parents to stay up late.  So I fear that many kids did not see gymnastics, and that is what will probably hurt the industry the most.  We needed the prime time coverage.  Instead of seeing gymnastics we saw the Michael Phelps swim show, instead.

I think we will have some increase in business, but, frankly I fear it will not be enough.  We shall see as school gets underway.  Let us hope and pray for the best.